Usually the conversation about “videos for instruction” get relegated to the tired conversation about whether or not students learn best from a video or their live teacher #flipclass.

This isn’t what I’m talking about. I’m talking about students producing the videos… starring in the videos… scripting the videos.

Now as you watch those, it’s fair to ask the question, “yeah but the students are simply going to watch an instructional video for a single skill, right?” And from a student learning perspective from the side of the CONSUMER, that’s likely true. And when you go to Next Vista’s website, you’ll see that it’s fairly simple to find videos, but it’s also that there’s lots of opportunities to submit videos. That’s where this conversation turns. When you see this from the side of the CREATOR, you get a whole different view.

Rushton Hurley (the founder of Next Vista for Learning) has a line I’ve heard him use a couple of time: “When your students know their classmates and community will see their work, they want it to be good. When they know their teacher will be the only one who sees it, they want it to be good enough.” And I think that platforms like Next Vista can provide the space for students to invest their time and effort into learning math to the level needed to record videos that can help others learn the math that deeply, too.

That’s something we’ve learned as math teachers. When you don’t know what you are talking about, that becomes a problem when you are trying to instruct someone else on that topic. By exploring creative outputs for our math learner, we are operationalizing that same truth. In order to create effectively to support learning, you have to have deep knowledge of the content yourself.

And the prospect of deep math knowledge for our students is enough to get my attention.

For a moment, I want to reframe the conversation about instruction. Suppose you’ve got a bit of content the students need to learn. Often, teachers think, “How do I need to teach this?” This a fine question, but I’d like to suggest, perhaps, a better one.

What should the students be doing to learn this bit of content? (You see the difference?)

Episode #7 of “Instructional Tech in Under 3 Minutes” shares Nearpod, which is a tool that gives teachers options and puts them in a position to ask the question “What should my students be doing to learn this?” (Nearpod isn’t the only such tool. It’s just a nice choice that is free, device-agnostic and pretty easy to use.)

This matters to education. Our classrooms are becoming increasingly wired. And while the conclusions in the article are definitely not conclusive, a few trends bubble to the top and one of them is simple:

With tech, thought energy is best spent focusing on what the young people are DOING with the tech rather than the form of the tech itself. Chromebooks vs. iPad, Google vs. Microsoft, Kahoot vs. Quizizz… these are the wrong questions. Rather, ask: What should the students be DOING with the tech to maximize learning?

It reminds me of some advice a dietician gave me once. She rhetorically asked me, “What’s the best diet?” And then, after a pause, she answered “The one you’ll stick with.”

This is a similar thought process to the explicit instruction vs. inquiry debate that I’ve discussed several times before. It’s the wrong approach to consider which of those teaching methods is “better.” What are the students doing?

If you’re inquiry exploration has the students spinning their wheels, you may need to explicitly instruct them. If your explicit instruction turns your students into a passive audience, then they need to explore some stuff. Some content is tough and they won’t be able to explore it very well without some instruction. But lectures are boring, so the students need to be active participants in the explicit instruction. (And no… taking notes doesn’t count.)

Nearpod is one tool that gives you options. It can add explicit instruction to inquiry explorations. OR, if you’d prefer, it adds explorations into direct instruction.

Either way, it is a tool that gives you a chance to answer the question: In order to maximize the learning in during this time, what should the students be doing?

The moment I started to have success helping student really learn how to write proof in geometry was the moment I realized that”The Proof” is nothing more than a persuasive essay converted to math class. It’s disciplinary literacy. And thinking of them as mathy-style essays can help us isolate some of the reasons the students struggle with proof in general. My experience leads me to think that many of the struggles are the same the ones the students experience with writing outside of math class. They don’t understand the structure, they don’t appreciate the value of honoring their target audience, and they don’t understand the content well enough.

Luckily for us, the ELA department has often hit those three points really hard. As math teachers, we just need to help the students bridge the gap.

What’s the structure to an essay? Thesis, supporting paragraphs, conclusion. Or, in math, “Given angle a is congruent to b, I’ll prove that segment a is congruent to segment b. Here’s the evidence I’m using to support my claim. And here’s what I just proved.”

Who’s the target audience? In math, it’s often either someone who doesn’t understand or someone who disagrees with you. That explains why you need to back up each statement with theorem, definition, or previously proven statement. Take nothing for granted or you’ll lose your reader.

And as for content? Well, have you ever read an essay from someone who plain ol’ doesn’t know what they are talking about? The best structure in the world isn’t going to save them if they can’t define the words they are trying to use.

So, when it comes to proof-writing, I think we math teachers need to appreciate that “writing” really is at the core of it, and the better we make that connection explicit to our proof-learning students, the more likely they are to be successful. And perhaps there’s a role for some meaning collaboration between high school math and ELA departments.

And with that, enjoy the latest “Instructional Tech in Under 3 Minutes” discussing, of all things, writing.

First watch this (and be amazed… well, if you’re anything like I am.)

So, when the students can get past the idea that there is some foul play involved, then it becomes a wonderful opportunities to discuss the idea of frequency.

Frequency is an odd discussion because it’s got a strange unit. The “per time” can be a little challenging for students to wrap their heads around.

And the opportunity that this video provides is that here, we don’t need to immediately concern ourselves with the quantitative value of the frequency (maybe 300 RPM for the helicopter rotor, for example, or 5 frames per second on the camera), but we can begin with the qualitative value of the frequency (that the frequencies, whatever they are, are the same.)

And then it opens the door for them discussing some quantitative issues. For example, the fact that the standard unit of frequency (the “per unit time”), obviously isn’t constant. So, the helicopter rotor is RPM and the camera shudder is typically in frames per second (at least, I think. Not a photographer…) So, you’ve got some nice dimensional analysis opportunities.

Where could you take this next?

One thing’s for sure, I’d hate to waste a video like this. Fully captivating, and it only costs your 30 seconds of class time.

Obvious choices are rotational motion, tangent lines, centripetal force.

I just love the authentic demonstration, particularly when the sliders let go. Tracing their motion (a straight line tangent to the circle at the point they let go…)

Welcome back to another edition of Real or Fake. This one, I would say, is certainly more believable than any of the earlier versions, although, that certainly doesn’t make it real.

In this video, if it is to be believed, soccer legend David Beckham puts three consecutive soccer balls into three different trash cans each located what appear to be 40ish yards away.

Check it out.

Now, I certainly don’t want to say anything to sway your judgement, but I will say really talented folks who have dedicated years to their craft are capable of some pretty remarkable things.

But, that, as with my other observation, does not make this real.